Brno Echo: Ornament and Crime from Adolf Loos to Now
18/6—19/10/2008

Pražák Palace
a part of the 23rd International Biennial of Graphic Design Brno 2008
curator Abbott Miller

entrance fee Each of the three gallery buildings
80 CZK full
40 CZK concession
25 CZK group per person
170 CZK family
 
One-off to all buildings; valid throughout the Biennial but only one visit per building
160 CZK full
80 CZK concession
40 CZK group per person
300 CZK family
 
Full exhibition ticket for repeated visits
300 CZK full
150 CZK concession
500 CZK family


“Brno Echo” is a multi-media design exhibition in the City of Brno, Czech Republic, created by the designer Abbott Miller for the Brno Biennial of Graphic Design.
The exhibition is being held in the Moravian Gallery, the second largest art museum in the Czech Republic, the venue for the Brno Biennial of the Graphic Design, one of Europe’s earliest design biennials, established in 1963. The original logo for the Brno Biennial, designed by the Czech designer Jiří Hadlač, features concentric lines making up a letter “B”. This pattern has served as a starting point for the exhibition. 
With a combination of print and multi-media graphics, typography, fabrics, photography and decorative arts, “Brno Echo” uses the visual motif of concentric lines to reveal graphic echoes resonating between past and present. The exhibition explores how concentricity is a shared vocabulary, linking disparate contexts and media across time and geography. Drawing upon various international sources, including the rich collections of the Moravian Gallery, the exhibition stages a dialogue between objects and images. The installation design gives this dialogue substance in galleries by transforming the space into a form of graphic echo chamber. Walls and pedestals pulsate with concentric lines encircling and framing the objects on display.
“Brno Echo” explores which simple, atavistic impulses are fundamental characteristics of design, gestures that interconnect everything from the Wiener Werkstätte through pop art to our current retro-futurism. Concentric lines frame, re-formulate, demarcate, decorate, and emphasize. “Brno Echo” makes a visual argument for understanding design as a cosmopolitan practice, one that unifies different cultures and periods.

Brno Echo, a 96-page catalogue, will be designed by Abbott Miller and published by the Moravian Gallery. It will feature images from the exhibition and a text on the show themes by Abbott Miller.

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